Musings: Snow Days Snow Sculpture Competition

Snow Daze: Radical Ice Sculpture in Grant Park @ Chicago Art Magazine

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UPDATE 2/21: Snow Daze Revisited

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Quick Take: Stroll Through the West Loop

Just returned from a brisk walk through several West Loop Galleries. Started the fun at EC gallery for a show I will likely review so I’ll pass on that for now. Then on to Carrie Seacrest for Dietrich Wegner. Wegner’s photographs were pretty and well-printed, his sculpture adequately gross. The concept however was so one-note as to make unnecessary all but one or two of the pieces. A scan of the card:

A sculpture:

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Next was Melville Price at McCormick Gallery and I swear, when we walked in and looked at the first painting I said, "That's a very Roll Tide painting." Imagine my surprise then to discover that the painting in question was painted in Tuscaloosa during the artist's years as a teacher at the University of Alabama (where I attended grad school). Nice show. Roll Tide. Nuff said. Excuse the phone picture.

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Then to Three Walls for Armita Raafat, the most visually arresting of the work of the day. The installation was something like a decrepit honeycomb seeping from the walls in the form of an Islamic mosaic, complete with glass shards and Mohammad-sparing designs. Interesting stuff:

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Western Exhibitions for a group show in the front and a group show in the back (this one video). Mike Rea's Tsavo Manhunters is very impressive:

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Some nice drawings and ceramics too. The back room had a looong video loop that I didn't watch a ton of though more on that later (I believe I will be working on a long piece for Chicago Art Magazine about one of the artists shortly). Finished up with a hodgepodge midinstallation look at Peter Miller Gallery. My fave piece being the Steven Lack painting towards the back. I just discovered on wikipedia that he played Cameron Vale, the main guy, in Scanners, which makes it that much cooler. Neat piece.

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Cameron Vale:

That's it. More on a couple of these artists to come.

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Another download(able): Chai Vang

PDF download for my story Chai Vang, originally published in the Baltimore Review. I became interested in Chai Vang's story shortly after "the incident" occurred and printed out several news articles about it. These articles sat in my folder for a couple of years until a class I was taking with Joel Brouwer at the University of Alabama called "Uses of History." Out the articles came and shortly followed the story; it is a favorite of mine.

For those interested, the Clint Eastwood movie Gran Torino is a pretty great picture of a Hmong community similar to Chai Vang's.

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New (old) story available for download, Thanks PANK!

I've put a pdf of my story Make Omniscient: A Romance on the prose page for your downloading pleasure. It's one of my rare tries at a "relationship" story, as well as an attempt to write something that resembles a math problem. As far as the truth of fiction goes, I was getting out of a relationship at the time I started writing it and I based the coffeeshop on the City Cafe in Baltimore. Thanks to PANK for publishing it and then allowing me to put it up here. Please download and enjoy!

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Chicago Art Critics Meet & Greet

The beginnings of a loose conglomeration of local art writers and editors took shape this afternoon at Th!nk Art Salon, with the hope/expectation that a more permanent amorphous something occur in the future. I was late, naturally, as I forgot about it till I woke up with ten minutes to get there, but it seemed like it may be a useful operation moving forward, though possibly one rife with committees and subcommittees and all other manner of shit I can't stand. I am hopeful, however, that something good and helpful may occur as it moves forward. A first step seems to be the formation of some sort of web ring, which I would imagine I would make this site available for, a part of, along I would imagine (depending on the respective editors) with New City and CAM, the two joints that I have done my work for since I've been living in Chicago. Anyway, watch out for a badge or something.

The one thing that the meeting sort of made me think about, which I have been thinking about for a while anyway, is my future in the realm of art criticism. Ideally, I would like to be writing longer form, more experiential essays about art, the experience of art, and the ideas generated by my experience of art. I think Dave Hickey is probably the model I am looking at. The problem is finding venues for that kind of work is difficult and motivating myself to do that kind of work when no venue (or potential source of income) is on the immediate horizon is even more so. I have also been a lazy bastard lately. BUT, my still percolating New Year's resolutions may finally muster some sort of grip on my day to day and the meeting did also present an interesting opportunity (surely more here later), so who knows....

The other thing the meeting brought to mind, and associated with the kind of work I would like to be writing is: who reads this shit anyway? I believe the number thrown out at the meeting, in Chicago at least, was "the same 400 people." Well, 400 readers ain't so bad (what I would give for 400 hits here/day), but " the same" 400 readers doesn't really appeal to me. I am not interested in writing uber-crit jargon-loaded essays. I am interested in writing fun, literate, risky essayish things, leaving me in some kind of in between space between academic essay and lame-oid "review." Popular art essays? Egad, never!

More to come.

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Pics: Tobias Rehberger at Denver Art Museum

Have been on vacation the past couple weeks so nothing new review/essay wise but did see some art -- also managed to break my hand snowboarding, but I was poaching some freshies OB (that's code), so it's not like I fell off the chair lift or something! Anywho, highlights included Matthew Buckingham's social-sciences inspired work at MCA Denver and Embrace!, a installation based takeover of the Denver Art Museum. Some pics of Tobias Rehberger's "Bert Holldobler and Edward O. Wilson in the rain" below. Like a creepy bungee cord maze. The kids dig it, it creeped me out.
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